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Help Me Eros
aka: Bangbang wo aishen
Taiwan 2007, 103 min
Two of the most challenging films of the festival came on Friday night. The first, Help Me Eros is a Taiwanese take on the Contemplative Cinema of Béla Tarr, Theo Angelopoulos, current period Van Sant, ect. The films are meant to give you time to process and read what you may into them while the film is running as well as long after. But the problem with contemplative cinema is that it is very culture specific and the meditations and queues that are there to pick up are often lost on people who don’t know that culture and thus the contemplative aspects are seen more as space in which to fall asleep. This neon poem to Taipei is filled with loneliness and sadness and life that is soulless but plot queues, while interesting are alien to me.
The plot that the film floats about involves and man who has lost millions and is now holding onto the last vestiges of his previous life – an ultra modern home atop a sweet shop and a mighty impressive pot plant. Having also lost all his friends he pawns off pieces of his life to buy water and sweets at one of the most bizarre establishments I’ve ever seen – a drive though neon candy shop with a stripper poll and girls in skimpy outfits. He falls for one of 3 girls working there but ends up getting high and fornicating with all of them… in very visually memorable ways. His love interest, obviously pissed, destroys the plant and his depression spirals further out of control to the point that he buys 50 thousand dollars worth of lottery tickets. In the final scene he disappears but bills rain down from his window.
aka: Bangbang wo aishen
Taiwan 2007, 103 min
Two of the most challenging films of the festival came on Friday night. The first, Help Me Eros is a Taiwanese take on the Contemplative Cinema of Béla Tarr, Theo Angelopoulos, current period Van Sant, ect. The films are meant to give you time to process and read what you may into them while the film is running as well as long after. But the problem with contemplative cinema is that it is very culture specific and the meditations and queues that are there to pick up are often lost on people who don’t know that culture and thus the contemplative aspects are seen more as space in which to fall asleep. This neon poem to Taipei is filled with loneliness and sadness and life that is soulless but plot queues, while interesting are alien to me.

1 comment:
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